Artists carry Ho-Chunk beadwork, imagery to massive banners on Bascom Corridor

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Artists carry Ho-Chunk beadwork, imagery to massive banners on Bascom Corridor

keiseronlineuniversity.com

8 November 2023

Artists carry Ho-Chunk beadwork, imagery to massive banners on Bascom Corridor

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A view of the front facade of Bascom Hall taken from a drone. On a sunny day, a few people walk across the brick and concrete path in front of the building. The four panels of the Seed by Seed banner hangs between tall, white columns above the building's main entrance. The banner has been printed with a texture resembling beadwork and contains symbols and colors representing traditions of the Ho-Chunk Nation. Four green rings represent the four lakes of Teejop, the name the Ho-Chunk give the land now occupied by UW–Madison. Inside each ring, square patches in light blue, dark blue yellow and red represent the reflections of light on the water at different times of day. Two large pink triangles on either side of the banner represent flowers, with green stems and triangular leaves leading to the center panel. On the center panel, a large diamond made of small blue triangles frames a blue thunderbird, which is flanked by two red, abstract W's, representing UW–Madison. Below the thunderbird are two green water spirits, which resemble four-legged animals with very long tails. Below the water spirits are six light blue triangles representing water. Above and below the large diamond frame are bursts of yellow beading, representing the sun. Along the bottom border of the banners are stylized animal symbols of the twelve clans of the Ho-Chunk Nation, and beneath each animal is a traditional Ho-Chunk flower motif in blue and green.

The Ho-Chunk Banners hanging on Bascom Corridor are the fruits of a artistic partnership shaped by UW–Madison doctoral scholar Molli Pauliot and school members Marianne Fairbanks and Stephen Hilyard. The banners they designed incorporate symbols, imagery and conventional colours of the Ho-Chunk Nation, of which Pauliot is a member. The banners honor these whose ancestral land UW–Madison now occupies. Photograph: Bryce Richter

At a particular ceremony held Tuesday, Nov. 7, the campus group and invited visitors celebrated the set up of Ho-Chunk banners on Bascom Corridor, commissioned as a part of the College of Wisconsin’s one hundred and seventy fifth anniversary. The college occupies land that was the ancestral dwelling of the Ho-Chunk.

The banners, designed in collaboration by UW–Madison doctoral scholar Molli Pauliot and school members Marianne Fairbanks and Stephen Hilyard, are a part of the Our Shared Future initiative, the college’s dedication to respect the inherent sovereignty of the Ho-Chunk Nation. The banners will stay up by means of November after which return through the spring semester as a part of a daily rotation of themed banners.

https://www.youtube.com/watch?v=hNrEdFiN-2k

Six men seated in a circle beat a large drum with traditional mallets and sing. Behind them is Bascom Hall, decorated with the Ho-Chunk Banners.

The Lake Delton Singers supplied the drum for the ceremony. They performed and sang as a crowd gathered on Bascom Hill.
Photograph by: Bryce Richter

A man wearing a hat with a U.S. flag and veteran pins stands behind a podium adorned with a red cloth printed in white characters with the number 175. He speakes into a microphone. Behind him is Bascom Hall, where the Ho-Chunk banners are on display.

Paul Cloud supplied a prayer to start the ceremony.
Photograph by: Bryce Richter

A woman smiles as she speaks to the audience from the podium.

Carla Vigue, director of tribal relations for UW–Madison, emceed the occasion.
Photograph by: Bryce Richter

A man wearing a light brown sports jacket jestures with his hands as he speaks from the podium.

“What you see behind you is greater than only a mural, extra than simply banners. It speaks volumes to our historical past, our clan system, our tradition,” stated Ho-Chunk Nation President Jon Greendeer. “I can’t categorical sufficient appreciation for Molli and what she’s completed. I don’t know what sort of work went into placing one thing like this collectively, however I’ll let you know that by this and seeing our clans represented, seeing the artwork and that each symbolism in there’s deliberate and means one thing — I’m so completely happy to see one thing like this.”
Photograph by: Bryce Richter

A close-up of the seated audience. One person in the audience is wearing a blue jacket with the great seal of the Ho-Chunk Nation embroidered on the back.

Members of the Ho-Chunk and campus communities gathered for the ceremony.
Photograph by: Bryce Richter

Chancellor Mnookin stands behind a podium with a red banner hanging from the front with the number 175 printed in white text. She is speaking into a microphone and gesturing with her hands. Behind her is Bascom Hall with the Ho-Chunk banners displayed between the building's columns.

In her remarks, Chancellor Mnookin stated, “We nonetheless, I do know, have a number of work to do earlier than each individual feels that this college is ‘for’ them — earlier than they will essentially see themselves right here and might thrive right here. It is going to take every of those seeds — and lots of extra — to assist us develop a stronger future collectively. And I’m dedicated to working in partnership to doing that.”
Photograph by: Bryce Richter

A woman seated in the audience looks on as she holds her young son, who is playing with the beaded necklaces around her neck.

Whereas Pauliot addressed the group, her daughter Julia White and grandson Azias Pauliot listened to her message in regards to the which means of Our Shared Future.
Photograph by: Bryce Richter

Later in the program, Molli Pauliot stands at the podium, and speaks into the microphone. She is flanked on either side by Marianne Fairbanks and Stephen Hilyard.

As she stood alongside Fairbanks and Hilyard, Pauliot remarked, “Our Shared Future is a course of, not a land acknowledgement or one thing to recite. It’s a collective act of transferring collectively from ignorance to consciousness; an academic framework for posing questions; and a possibility to rejoice Ho-Chunk individuals, in addition to be taught in regards to the arduous truths of our histories with them. It’s a problem to teach ourselves and one another, and create a greater future collectively. The Ho-Chunk Banner design for the one hundred and seventy fifth anniversary is an instance of the college’s dedication and alternative to be taught extra in regards to the Ho-Chunk individuals.”
Photograph by: Bryce Richter

A woman wearing several beaded necklaces and pendants speaks from the podium.

JoAnn Jones, a member of the Ho-Chunk Nation, retired decide and UW–Madison alumn, spoke of the which means of Our Shared Future. “My hope for this college,” she stated, “Is the shared imaginative and prescient that you just talk about. And that the way forward for this establishment is that it stands for all residents — all of the residents of the state and all of the Indian nations.”
Photograph by: Bryce Richter

Pauliot, Fairbanks, Hilyard and Mnooking stand in a row on Bascom Hill. Pauliot, Fairbanks and Hilyard are wearing wool blankets presented to the artists on behalf of the university in thanks for their work. Mnookin is wearing a beaded pendant with an emblem of Bucky Badger, a gift to her from the Ho-Chunk Nation.

Because the ceremony drew to a detailed, Pauliot, Fairbanks and Hilyard stood alongside Mnookin. Draped round their shoulders, they wore wool blankets given to them on behalf of UW–Madison in thanks for his or her service within the creation of the banners.
Photograph by: Bryce Richter

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